A workshop by composers, not a company
Two film & game composers who kept hitting the same five-minute problem — counting cues, prepping samples, chasing a deadline — and started fixing it themselves. No accounts, no subscriptions, just tools we actually use.
We write music for films, shows and games. Around every session there's a pile of small, boring problems that have nothing to do with composing — tallying up how much score you delivered on a project, turning a folder of piano or guitar takes into an instrument a sampler can actually play. Too small to be worth a real app, too annoying to keep doing by hand between deadlines.
So we started building tiny tools for ourselves, at the desk, between sessions. Then we started sending them to other composers who were stuck on the exact same five minutes. At some point it made sense to give them a proper home instead of a pile of zip files in a Dropbox folder.
Nothing here is a product. No signup, no tracking, no roadmap to monetize. Just small, honest tools — a bit rough at the edges sometimes — that we use ourselves, on real scores, every week.
— Emanuele & Fabio
Drop in a folder of audio files. Get the total runtime, plus the length of every file down to the second. Built for cue sheets, quotes, and tallying up delivered music.
Unsigned app — first launch needs right-click → Open on Mac, or "Run anyway" on Windows. Normal, explained in the README.
From a real instrument recording to a playable sampler library, in minutes. Guided or fast recording, automatic editing, export straight to Kontakt, SFZ and Decent Sampler.
Italian composer working across Europe, the US and China, with credits including The Wandering Earth I & II and Ne Zha 2. Also founder of THE DESIGNERS.
emanuelefrusi.comItalian composer and songwriter based in London, represented by Air-Edel. Scored the BAFTA-winning short Do Not Feed the Pigeons and Gabriele Mainetti's La Città Proibita.
fabioamurri.com